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Pieter de Grebber
Frederick Barbarossa awards the city of Haarlem with a sword for its shield or coat-of-arms
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ID: 83789
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Pieter de Grebber
(c. 1600, Haarlem - 1652/3, Haarlem) was a Dutch Golden Age painter.
De Grebber was the oldest son of Frans Pietersz de Grebber (1573 - 1643), a painter and embroiderer in Haarlem, and the brother of the painters Maria and Albert. He learned to paint from his father and from Hendrick Goltzius. He was descended from a Catholic and artistic family and his sister Maria later became the mother-in-law of Gabriel Metsu. He was a friend of the priest and musicologist Jan Albertszoon Ban, and had a poem set to music by the Haarlem composer Cornelis Padbrue. In 1632 he became a member of the Haarlem Guild of St. Luke, but he had already been active as a painter for 10 years. His pupils were Gerbrand Ban, Nicolaes Pietersz Berchem, Egbert van Heemskerck, and Dirck Helmbreeker.
In 1618, father and son went to Antwerp and negotiated with Peter Paul Rubens over the sale of his painting "Daniel in the lions pit". It was then handed - via the English ambassador in the Republic, Sir Dudley Carleton - to king Charles I. Pieter got important commissions not only in Haarlem, but also from the stadholder Frederik Hendrik. As such, he worked on the decoration of the Huis Honselaarsdijk in Naaldwijk and at the Paleis Noordeinde in Huis ten Bosch in the Hague. He painted altar pieces for churches in Flanders and hidden Catholic churches in the Republic. He may also have worked for Danish clients.
Pieter remained single and lived from 1634 until his death at the Haarlem Beguinage.
Related Paintings of Pieter de Grebber :. | Skating during Carnival | Dame mit Weinglas | Le Calvaire | The Judgment of Paris_6 | Gate | Related Artists: Gaetano previatiItalian Painter, 1852-1920
Italian painter and writer. He was one of the leading exponents of Divisionism, particularly skilled at large-scale decorative schemes, and especially important for his writings on technique and theory. Carlo MarattiItalian Baroque Era Painter, 1625-1713,Italian painter, draughtsman and printmaker. He was the last major Italian artist of the classical tradition that had originated with Raphael, and his pre-eminence among the artists of his time marks the triumph of classicism. Nonetheless his art unites the virtues of disegno and colore, and he created a grandiose and decorative style that satisfied the demands of the Church. Florentine Schoolfirst half of the sixteenth century
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